When people
talk about The Theory of Everything, they tend to mention Eddie
Redmayne first and it's not difficult to understand. It's a very
juicy part that could easily be misplayed. But we cannot forget about
Felicity Jones, who received her first Oscar nomination for playing
Stephen Hawking's first wife Jane.
The role of Jane is not thankful at all. It rarely allows Jones to truly shine and show off her talents. What I really liked about this creation though, is that Jones fights this unthankfullness and never lets her film overshine her. An example of that is a scene at Hawking's parents' house at the beginning of the film. It's those subtle reactions in her eyes that make this performance special. The scene itself is not that important for the film, yet I quite enjoyed it, because of the tiny acting decisions given by both of the co-leads.
As Stephen's disease is proceeding, it has an impact on Jane. One of the first such scenes is when they plays crocket together. It's again a very subtle acting here, yet again great.
When there appears Charlie Cox's character in the film, he falls for Jane. Felicity Jones lets the viewer wonder, if she is also in love with him. It is later revealed in a great moment, in which both of the actors (Cox and Jones) give us honest and outstanding performances.
There is a scene, in which she tries to comunicative with Stephen by a board of letters. Jones shows a huge determination in this scene. She is realistic and really fascinating to watch here. She is a caring woman, exhausted of the difficulties, she has has in life and Jones is heartbreaking here. Just as she is it in the scene with a doctor, in which she explains him that she will do everything for him.
The most fascinating thing about his performance is that it has got its layers. We constantly wonder, if Jane would have done all of this, if she has knew that Stephen will live so long. We wonder, if she loves him anymore.
This is revealed in the late scene of an arguement that led to the divorce between Stephen and Jane. Just as for Redmayne, I consider this to be Jones' best scene. It is a touching and fantastic moment handled extremely well by both of the actors.
The chances of winning an Oscar: Throughout the season I thought they are higher, than they appeared to be. She was young and pretty and the Academy loves to reward those in this category. But then I saw the film and realized how unshowy this role was, so I guess she was the fourth (at the best)...
The role of Jane is not thankful at all. It rarely allows Jones to truly shine and show off her talents. What I really liked about this creation though, is that Jones fights this unthankfullness and never lets her film overshine her. An example of that is a scene at Hawking's parents' house at the beginning of the film. It's those subtle reactions in her eyes that make this performance special. The scene itself is not that important for the film, yet I quite enjoyed it, because of the tiny acting decisions given by both of the co-leads.
As Stephen's disease is proceeding, it has an impact on Jane. One of the first such scenes is when they plays crocket together. It's again a very subtle acting here, yet again great.
When there appears Charlie Cox's character in the film, he falls for Jane. Felicity Jones lets the viewer wonder, if she is also in love with him. It is later revealed in a great moment, in which both of the actors (Cox and Jones) give us honest and outstanding performances.
There is a scene, in which she tries to comunicative with Stephen by a board of letters. Jones shows a huge determination in this scene. She is realistic and really fascinating to watch here. She is a caring woman, exhausted of the difficulties, she has has in life and Jones is heartbreaking here. Just as she is it in the scene with a doctor, in which she explains him that she will do everything for him.
The most fascinating thing about his performance is that it has got its layers. We constantly wonder, if Jane would have done all of this, if she has knew that Stephen will live so long. We wonder, if she loves him anymore.
This is revealed in the late scene of an arguement that led to the divorce between Stephen and Jane. Just as for Redmayne, I consider this to be Jones' best scene. It is a touching and fantastic moment handled extremely well by both of the actors.
The chances of winning an Oscar: Throughout the season I thought they are higher, than they appeared to be. She was young and pretty and the Academy loves to reward those in this category. But then I saw the film and realized how unshowy this role was, so I guess she was the fourth (at the best)...
I like her performance quite a bit. If they had to reward the film I would preferred her over Redmayne to take the win.
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