5. Tom Hanks - Forrest Gump
This is not a very favourite performance of mine. Hanks' acting choices are rather strange, as he tries to deliver jokes as jokes and he doesn't identify with them. He has got some fine moments, we care about Forrest and easily sympathize with him, but I simply missed the dedication to the character from Hanks...
4. Paul Newman - Nobody's Fool
This is another one of those technically flawless, but boring as fuck performances. Newman is realistic (he was probably playing himself), but in the bad, boring way. There is nothing wrong with this performance, but then nothing particularly memorable...
3. Nigel Hawthorne - The Madness of King George
This is more of a caricature than a realistic portrayal of a human being, but it's working this way. Even though over-the-top, he's still very charming and some of the scenes are so emotional that you pity the character. It is a very well done performance, with a few easily forgivable flaws (such as occasional overacting, or dullness).
2. John Travolta - Pulp Fiction
So much has been said and written about it performance that it seems useless now. Travolta is wonderful in this iconic character. Sometimes he is too realistic for such crazy character, but it's just a small complaint. He makes a great lead of fantastic cast...
1. Morgan Freeman - The Shawshank Redemption
A few years ago I wouldn't have believed that Freeman would win this year. He's got a brilliant chamistry with Robbins and create a believable and great friends with him. Freeman is also a believable and respectable leader of the co-prisoners, which I found a bit surprising, but Freeman was able to achieve this.
My Nominees:
1. Tim Robbins - The Shawshank Redemption
2. Morgan Freeman - The Shawshank Redemption
3. Jean Reno - Leon: The Professional
4. Johnny Depp - Ed Wood
5. Kenneth Branagh - Frankenstein
Showing posts with label John Travolta. Show all posts
Showing posts with label John Travolta. Show all posts
Wednesday, 13 January 2016
Monday, 12 October 2015
Best Leading Actor 1994: John Travolta - Pulp Fiction
I
don't know if it's need to talk about Pulp Fiction. It's a fucking
great motion picture, the one that belongs to the best of the best.
Tarantino's a genius and it's visible in this film.
John Travolta's character Vincent is a type of character we had seen plenty of times before and after. It's worry-free man, who's doing his duties, but is bored enough from his job and probably is able to imagine something a lot more interesting to do right now. It is portrayed before the introductory scene of killing, as well as at the bar with Marcellus' wife Mia. Travolta is actually very good at showing this off. Not only with his facial expressions, but even with his body movements. The way he's walking across the bar proves it the best. Tarantino took this type and made it shine with the fact that the bored man is in fact a criminal. That makes it more absurd and gives an amount of black humour to it.
Travolta, as probably an actor who has the most screentime in Pulp Fiction, must me able to have a good chemistry with his colleagues. He succeeded very well. There is something great about Tarantino that he is able to make actors work wonderfully together, even if their performance might have not been that great. I'm not saying Travolta isn't great in his role. Travolta shares the screen mostly with either Jackson, or Thurman. With both of them, he was able to create excellent couples. With Jackson, he certainly is the subtler one, but it doesn't mean he would be overshadowed by him. They are both very valuable players.
There is an interesting thing I noticed about his performance. The moments he plays when Vincent is under drugs, his performance gets subtle. Even subtler than the rest of the performance. And strangely enough, I didn't mind. It worked in this case.
Travolta showed us a perfect sense for comedy with this performance. For example the legendary dance scene with Uma Thurman. The way he dances, or look at Thurman is hilarious. I also loved his performance, when he is saving Mia Wallace. The anger and despair is portrayed with a perfect comic timing.
This character itself is not very showy, actually. Travolta's portrayal is subtle, but he isn't overshadowed by any of his co-stars (maybe a bit by Uma Thurman, but that's because the sequence is written that way). He doesn't have that many scenes, in which he could show off, but when he does, he uses everything of them. It happens, when Vincent is forced to solve some huge problem. Travolta is really enjoying these scenes and it's pretty obvious.
It is not a flawless performance. Sometimes I wouldn't mind Travolta acting a bit more obvious. Maybe going over the top a bit. But even this subtle portrayal is doing justice to its film and works just perfectly for it.
The chances of winning an Oscar: I think he was the third, right behind Newman.
John Travolta's character Vincent is a type of character we had seen plenty of times before and after. It's worry-free man, who's doing his duties, but is bored enough from his job and probably is able to imagine something a lot more interesting to do right now. It is portrayed before the introductory scene of killing, as well as at the bar with Marcellus' wife Mia. Travolta is actually very good at showing this off. Not only with his facial expressions, but even with his body movements. The way he's walking across the bar proves it the best. Tarantino took this type and made it shine with the fact that the bored man is in fact a criminal. That makes it more absurd and gives an amount of black humour to it.
Travolta, as probably an actor who has the most screentime in Pulp Fiction, must me able to have a good chemistry with his colleagues. He succeeded very well. There is something great about Tarantino that he is able to make actors work wonderfully together, even if their performance might have not been that great. I'm not saying Travolta isn't great in his role. Travolta shares the screen mostly with either Jackson, or Thurman. With both of them, he was able to create excellent couples. With Jackson, he certainly is the subtler one, but it doesn't mean he would be overshadowed by him. They are both very valuable players.
There is an interesting thing I noticed about his performance. The moments he plays when Vincent is under drugs, his performance gets subtle. Even subtler than the rest of the performance. And strangely enough, I didn't mind. It worked in this case.
Travolta showed us a perfect sense for comedy with this performance. For example the legendary dance scene with Uma Thurman. The way he dances, or look at Thurman is hilarious. I also loved his performance, when he is saving Mia Wallace. The anger and despair is portrayed with a perfect comic timing.
This character itself is not very showy, actually. Travolta's portrayal is subtle, but he isn't overshadowed by any of his co-stars (maybe a bit by Uma Thurman, but that's because the sequence is written that way). He doesn't have that many scenes, in which he could show off, but when he does, he uses everything of them. It happens, when Vincent is forced to solve some huge problem. Travolta is really enjoying these scenes and it's pretty obvious.
It is not a flawless performance. Sometimes I wouldn't mind Travolta acting a bit more obvious. Maybe going over the top a bit. But even this subtle portrayal is doing justice to its film and works just perfectly for it.
The chances of winning an Oscar: I think he was the third, right behind Newman.
Labels:
best leading actor 1994,
John Travolta,
Pulp Fiction
Wednesday, 16 April 2014
Next Year: Best Leading Actor 1994
The Nominees:
John Travolta - Pulp Fiction
Morgan Freeman - The Shawshank Redemption
Nigel Hawthorne - The Madness of King George
Paul Newman - Nobody's Fool
Tom Hanks - Forrest Gump
John Travolta - Pulp Fiction
Morgan Freeman - The Shawshank Redemption
Nigel Hawthorne - The Madness of King George
Paul Newman - Nobody's Fool
Tom Hanks - Forrest Gump
So, what is your ranking? What is your prediction for my ranking? What are your nominees? What are some notable performances that were snubbed? Comment!
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